BETWEEN THE LINES
November 24, 2016
I’m grateful for books. Reading them and writing them and giving them to friends and talking about them. These are ten of the books I loved most in 2016
THE TIGER IN THE HOUSE by Jacqueline Sheehan. A five-year-old child found at a crime scene sets events in motion that ripple back in time, into the newspapers, and up and down the east coast. Delia is the child services worker assigned to the girl, her last case before she joins her sister in a bakery/café start-up. With the help of her boss, a cop, a golden retriever and a Maine coon cat, Delia delves into the underworld of the heroin trade searching for Hayley’s family. Sheehan’s writing is at its brilliant best when she brings people and animals together in scenes that explore and celebrate their essential connection. This book will be published in February 2017.
AFTER THE DAM by Amy Hassinger. The natural world is so much more than setting in Amy Hassinger’s new novel. River, sturgeon, eagles, and three generations of conflicted and intertwined families join forces in this powerful story. Hassinger’s lush prose and nuanced themes of stewardship of our children, our selves, and the earth make this literary page-turner a must-read.
THE BOOK THAT MATTERS MOST by Ann Hood. Few authors capture loss and grief, hope and connection like Hood, and in this book she weaves those powerful themes with one of my absolute favorites things – reading books in groups, and how novels both speak to our individual sorrows and connect us with others. Ava’s husband has left her for a yarn-bomber and her daughter Maggie is in trouble in Paris when Ava’s best friend invites her to join her library book group. The theme is “the book that matters most” and each member chooses a book for one of the monthly discussions. This novel reminds us of the power of reading and the many ways that books connect us to each other and to the world.
HEIRLOOMS by Rachel Hall. You know that feeling when you pick up a book and start reading and quickly understand that you've found a journey you didn't know you needed? That's how I felt reading Rachel Hall’s debut collection of interconnected stories. She invites us into a Jewish family, before and after the Holocaust, in France and Israel and the United States. Quietly and lyrically, Hall explores the profound ties immigrants feel to our past, our losses, our dreams, and each other.
A lot has already been written about Yaa Gyasi’s debut novel, HOMEGOING, and I’m not going to add much. Just to say that I’m so glad I read it early, before all the hype, and had a chance to discover the magic of this novel on my own. Gyasi’s two half-sisters, Effia and Esi, and their descendents still whisper to me from time to time and remind me not to forget their stories.
Another debut novel, THE MOTHERS by Brit Bennett, takes place in a contemporary California town and explores first love, secrets, community, momentous decisions, and growing up with deep “what if’s.” I loved the chorus of Church Ladies and the feeling of being invited into their living rooms for a few hours.
Michael Goldman’s translation of Cecil Bodker’s STORIES ABOUT TACIT made me both wish I read Danish and grateful for Goldman’s own prose. These stories, connected by both characters and a wry storytelling style, both surprised me and felt inevitable. This is delightful gem of a book.
ANOTHER BROOKLYN by Jacqueline Woodson takes the reader to a girl’s coming-of-age years in Brooklyn, a place of mothers hearing voices and friends being raped, of danger and hope and disappearances and beautiful possibilities. To me, it read like poetry – raw and sparse and very powerful.
In Lee Hope’s HORSEFEVER, Nikki is horse-crazy; her passion for horse eventing is also about testing herself – body and soul – and her marriage. With language that sizzles and a story that races across the competition courses and the Vermont countryside, HORSEFEVER explores and explodes the profound effects of Nikki’s obsession on the people closest to her.
I just finished reading an advance copy of EXIT WEST by Mohsin Hamid, coming out in early 2017. It may be the best book I’ve read all year. Then again, it’s the most recent book I’ve read, and coming after the election, it’s so spot-on honest and hopeful about our world it makes me tear up just thinking about it. EXIT WEST follows Saeed and Nadia from their unnamed “city teetering on the abyss” through their migration to London and beyond. As the author explains in an interview, he relaxes the laws of physics in one specific way to accomplish their travel. The use of this technique and lack of geographical grounding add to the almost mythical storytelling. But this is not a fairy tale; the novel tackles combating the racism against immigrants and building cooperative new communities. It is also a love story, a story about hope in a very dark time. Don’t miss this one.
August 9, 2016
Blog: finding family
About two months ago I received a letter in the mail. The postal mail, not email, which has become an unusual treat. As he handed me the envelope, Robby looked at the return address and asked me if I knew the sender, whose surname was the same as my maternal grandmother. “Could be a long-lost relative,” he said.
My second cousin (who I did not know existed) wrote that she came across a blog I posted in February titled “Hanging with grandchildren and ghosts in Brooklyn,” in which I mentioned my grandmother’s name and that she once lived on Keap Street in Williamsburg. My cousin wondered if my grandmother could be her great aunt of the same name. The details she supplied – the name of the town in Ukraine that my grandmother and her brother left over a century ago, the dates and circumstances of their immigration – were enough to convince me. The photograph of her grandfather, who looks just like his sister – my grandmother – took my breath away.
Over the past two months, my sister and I have been getting to know this new cousin. My sister has been filling in blanks in our extended family genogram. As with many Jewish families from Eastern Europe, there are big holes in that family tree and each new name, each newly discovered connection is precious. I now have three new cousins, dozens of new/old family photographs, and some wonderful family stories. I hope to meet these new relatives before too long.
Like I said: precious.
July 6, 2016
Ava’s husband has left her for a yarn-bomber (Ann Hood’s fans will appreciate this!) and her daughter Maggie is out of touch and in trouble in Paris when Ava’s best friend Cate invites her to join her library book group. The theme is “the book that matters most” and each member chooses a book for one of the monthly discussions. Ava chooses FROM CLARE TO HERE, the book that saved her life the summer after her sister died and her mother killed herself, and she promises to bring the author to the discussion.
The book discussions (ANNA KARENINA, THE GREAT GATSBY, CATCHER IN THE RYE) are both fun in themselves and in the responses they evoke from the group members. Ava finds herself revisiting her childhood losses as her own daughter struggles with her own demons in Paris. The chapters from Maggie’s perspective, as she flees her study-abroad program and gets into increasingly dangerous situations, provide a thoughtful mirror to Ava’s process as she faces her own losses.
This novel has a mystery at its core and it has emotional depth. The story made me weep, but never lose hope that people can deal with past pain and can heal. Most of all, THE BOOK THAT MATTERS MOST reminds us of the power of reading, and the many ways that books connect us to each other and to the world.
Pub date is August 9, but click on the photo to pre-order the book.
April 18, 2016
My workshop leader was Manette Ansay and she was terrific. But she was (correctly) pretty critical in workshop about the story I submitted for the conference and about my writing. I had a lot to learn and I wasn’t at all sure I had the talent to be a writer.
On the last day of the week-long conference, participants were invited to read aloud a short excerpt, five minutes maybe, to the conference community. We gathered in rows of folding chairs set up on the grass under a tent; it was a hot afternoon. I don’t remember what I read. What I do remember is this: as I walked back to my seat, Lee Hope, the director of the program stopped me. She leaned over and whispered, “I want you to come to our MFA program.”
Lee had talked to us all about the MFA the day before, and the idea was bouncing around a bit in my brain. I didn’t see how I would manage it, even a low residency program, with my full-time job. And, like I said, I wasn’t at all sure I had what it takes to be a real writer.
Lee’s comment changed everything. That moment, I knew I would apply for the program. I knew I would be accepted. I knew I would love it. I knew I would write novels and stories and people would read them. All those things came true.
Like I said, Lee Hope changed my life.
March 23, 2016
At book events, it’s not unusual for someone to ask a particularly hard question and I have to think fast. I know that my immediate answer isn’t the whole story, isn't the best response, and later I chew on what I could have said. That happened Monday, when a woman asked, “Doesn’t the government have the right to protect us from terrorists like ISIS? Even if they make mistakes every once in a while?”
What I said: Yes, the government’s job is to protect its people. But if we acknowledge that terrorist attacks are criminal acts by individuals and groups, not acts of war by nations, then we should use our criminal justice system to charge and try them. We should not respond by shredding the constitution and ignoring the rule of law. I also said that if we stopped invading and bombing other countries and killing their people with drones, there would be fewer terrorist attacks against us.
What I wanted to say: “The U.S. government made one of those “every once in a while mistakes” when it executed my mother-in-law. Ethel Rosenberg was held hostage to try to pressure her husband into confessing. That was NOT okay.
What I could have asked her: “Do you have grandchildren? If the government by mistake detained and interrogated one of your grandchildren, like they treated Gandalf in my novel, would that be okay with you?”
What I could have said: The logical conclusion of what you are saying is that it’s okay to do anything necessary to protect our country, as long as that anything is being done to someone else, someone you don’t know and love.
Or I could have quoted Benjamin Franklin: “They who can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety.”
Of course, whole books could be written on this topic and I keep thinking about other responses. Do you have suggestions of other things I could have, should have, said?
February 24, 2016
Most of all, I love Brooklyn because my grandchildren live there. Last week, Robby and I were in Brooklyn, hanging out with Josie and Abel during school vacation week. We painted pottery and played Chutes & Ladders and Zingo. We colored and drew and drove trains around the living room floor. There were Shopkins and Lincoln Logs and Legos and extraordinary combinations of all the above. There were parks and playgrounds and Transit Museum; and I can’t leave out the delightful and overpriced (everything in Brooklyn is overpriced to this Easthampton wallet) Curiosity on Court, with climbing wall and playscape and subway station.
I also love Brooklyn because of the ghosts. My family ghosts. Both my parents lived in Brooklyn; they met at Brooklyn College. In the medium days of her Alzheimer’s, my mother used to ask me if I remember the apartment she lived in on Keap Street in Williamsburg, decades before my birth. At sixteen, my dad moved from Manhattan’s lower east side to Bensonhurst with his family; I remember visiting my grandparents in that house. My grandmother was short, and I loved that the kitchen sink was built low enough for me to wash dishes. The el was close-by and the corner store sold tasty penny candies.
Those two Brooklyns – of my parents’ youth and that of my grandchildren – exist many decades apart. But walking those streets last week with Josie and Abel, I felt the company of my family ghosts.
February 3, 2016
In honor of book groups
For many passionate readers, book groups are our reading family. Like all families, there may be a few dud selections, the equivalent of the second cousin who spends holiday dinners staring at a screen, or the uncle who farts, but we still love them. I have two book group families. One group, which has been going for over a decade, is through a local indie bookstore. I love the fact that it’s open to anyone who has read the month’s book and wants to discuss it. I also love that about 1/3 of the time we invite the author to join us.
The other group, which we call Stones and Bones, started in 1994 as a group of friends, originally convened at the Odyssey Bookshop. We chose the name because we noticed how many books we discussed that first year or two had “stones” or “bones” in the title (Stones from the River, The Bone People, Stone Diaries.) Over the past 22 years, the group has lost and gained members and has moved from meeting at the bookstore to members’ homes, but continues to offer us an opportunity to read books we otherwise probably would not have chosen, and to enjoy the books a second time through discussion. Although most meetings involve sitting around someone’s living room talking about a novel, we’ve tried different bookish activities, ranging from weekends on Martha’s Vineyard (discussing novels set there, of course) to reading poetry to each other.
In honor of this group, and all book groups, I’d like to share our twenty-two years of literary selections.
Ceremony, Leslie Marmon Silko
Indian Lawyer, James Welch
Bless Me Ultima, Rudolfo Anaya
The Bone People, Keri Hulme
A Lesson Before Dying, Ernest Gaines
How the Garcia Girls Lost Their Accents, Julia Alvarez
Middlemarch, George Elliot (more…)
December 10, 2015
SPEAK by Louisa Hall is told by five narrators spanning five centuries and several continents but they all explore the human need to communicate, to connect, to be understood. Each character tries to bridge gaps – between friends, lovers and non-human intelligence. This book is dark and smart and sometimes pretty disturbing. I loved it.
GIRL AT WAR, Sara Nović’s debut novel set in Croatia in 1991, is also both dark and emotionally gripping. The ten-year-old narrator Ana is our guide through the frightening realities of civil war – the shortages and bombings, suspicion and losses. The novel moves back and forth in time between 1991 and a decade later, a college student in New York, returns to Croatia to make peace with the legacy of her childhood. Strong debut work.
Karen Joy Fowler’s WE ARE ALL COMPLETELY BESIDE OURSELVES was published a couple of years ago. I’m so glad I finally read it. From the first pages, 22-year-old Rosemary shares her grief at the loss of her sister, her twin, Fern. When we learn that Fern is a chimpanzee, and that the family was part of a scientific experiment, this moving and often-humorous family saga opens up into something much larger. This book gave me a lot to think about.
THE CELESTIALS by Karen Shepard was also published in 2013 but I heard the author read from it this year. I bought the book partly because she uses an omniscient narration, something I was working on, but mostly because I was so taken with her story of Chinese laborers brought to North Adams, Massachusetts in 1970 as strikebreakers. This is historical fiction at its best – an author’s imagination forging connections between past and present that offer the reader insight into the current issues of immigration, race, and xenophobia.
THE BEGINNING THINGS by Bunny Goodjohn. Tot is twelve, sizzling with an urgent crush on the wrong boy. Her mother sews to support the family after her husband’s desertion. Dan, the father of said missing husband, moves into the house on Stanley Close, newly widowed, penniless, and very fond of his drink. Tot and her “Dangrad” have always been close and share an affinity for spoonerisms. These linguistic twistings add humor to the prose and provide an oblique way for Tot and Dan to talk about their uncomfortable and difficult-to-discuss issues. Using British slang and a poet’s ear, UK-born Goodjohn weaves the Thompson voices into a cohesive and tightly paced story. I love the toughness of this book as much as I am grateful for its compassion and tenderness.
THE CENTER OF THE WORLD, Jacqueline Sheehan’s forthcoming novel, has it all: heroes and villains, death squads and family loyalties, massacres and soccer, heartbreak and redemption. This novel is both an emotionally intense mother-daughter story complicated by secrets and danger and a sizzling love story, set against the background of civil war in Guatemala and U.S. dirty tricks. Very highly recommended.
MOURNER’S BENCH, by Sanderia Faye, took me to 1960’s small-town Arkansas through the eyes of eight-year-old Sarah Jones. The young protagonist is so beautifully brought to life; we feel the Arkansas summer heat, the struggles within her family, her religious yearnings. As the civil rights movement and school integration come to her town, Sarah guides us through an emotional landscape of change and growth. This debut novel is assured and confidant and the window it offers into our shared history is unique. Read this book.
Judith Frank’s ALL I LOVE AND KNOW is set in contemporary Northampton, MA and in Jerusalem. Daniel and Matt, a gay Northampton couple, travel to Jerusalem to bury Daniel’s twin brother and his wife, killed by a terrorist bomb, and to take custody of their two young children. Frank is masterful at balancing the personal stories of her characters with the explosive political and social issues that propel the plot. Her use of an omniscient point of view works beautifully to integrate Middle East politics with parenting, sexual politics with generational negotiations. Plus, it’s a really, really good read.
DESIRE OF THE MOTH by Champa Bilwakesh follows a shorn and shunned 15-year-old widow ostracized by strict 1930’s caste customs. When Sowmya meets a devadasi and begins studying the forbidden dances, her transformation parallels the intense social, political and cultural changes in South India during the struggle for independence. The writing is lush with music, sensuality and artistic gravitas. A wonderful novel.
Simon Van Booy’s FATHER’S DAY won’t be out until April, but this novel is worth waiting for, especially if you admired THE ILLUSION OF SEPARATENESS like I did. This book weaves in and out of time to bring us a girl named Harvey, orphaned and adopted by her felon uncle. Van Booy’s beautifully-written story of loss and hope and second chances is quiet and sad and engaging. I loved this book.
November 18, 2015
Published by Underground Voices, November 2015
Three members of the Thompson family narrate this engaging novel about endings and beginnings and how they fit together. Tot is twelve, sizzling with yearnings, hormones, and an urgent crush on the wrong boy. Her mother Elaine, sewing to support the family after her husband’s desertion, gets a job fabricating a silver spaceman suit for a male stripper who wants more than shiny cloth and quick-release Velcro fastenings. When Dan, the father of Elaine’s missing husband, moves into the house on Stanley Close, newly widowed, penniless, and very fond of his drink, Tot has a male relative to ask about her boy trouble.
Four generations of Thompsons, and Elaine’s sewing business, squeeze into a small council house. In addition to Dan, Elaine and Tot, Elaine’s older daughter Dorothy and her out-of-wedlock toddler son add to the chaos. The details of Goodjohn’s descriptions of crowding and room repurposing are both biting and tender, and the reader roots for the characters.
Tot and her “Dangrad” have always been close and share an affinity for spoonerisms. These linguistic twistings add humor to the prose and provide an oblique way for Tot and Dan to talk about their uncomfortable and difficult-to-discuss issues: his drinking and her growing understanding that her unfortunate romance skipped the “beginning things.” Tot can admit to her grandfather that a boy put his “ningers down my fickers” and she liked it a lot. He answers her questions about how to build a friendship and romance, offering a step by step approach. In return, Dan accepts her interference with “mucking fess” of his drinking problem.
With the pleasure of British slang and a poet’s ear, UK-born Goodjohn weaves the three Thompson voices into a cohesive and tightly paced story. I love the toughness of this book as much as I am grateful for its compassion and tenderness.
November 16, 2015
Writing fiction takes you places you never expected to go. My stories and novels have transported me to cults and islands, to interrogation rooms and quarry caves, to Caribbean palace guards and gun stores and courtrooms and sacred dingles. But I thought that once imagination has brought the words to publication, the creative part was done. Turns out that’s not entirely true; there’s also room for invention and exploration in bringing books to readers.
We all know that publishing with an independent press – probably with ANY press in today’s market – requires significant author involvement in promotion. My first novel taught me to look beyond bookstore venues for readings and book-signings. HOUSE ARREST took me to libraries and house parties, to book fairs and reader retreats and conferences and book groups. I took advantage of all those additional venues when ON HURRICANE ISLAND was published. But this novel, because of its topical content, presented an unexpected opportunity: to develop a “platform.”
The idea of “platform” is usually reserved for nonfiction books. It refers to the author’s authority in a subject area and her access to a group of readers already interested in that subject. Novelists may have a fan base and literary credentials, but it’s challenging to identify new readers based on what the book is about, since fiction’s subject matter isn’t so easily identified or defined. It’s also tricky because many readers seem to read EITHER fiction or nonfiction, not both.
The plot line of ON HURRICANE ISLAND is frighteningly topical. Actually that makes me laugh, because when I started writing it seven years ago, even my husband said that the premise was possibly too unbelievable. It’s the story of an older woman, a mathematics professor, who is picked up by federal agents at an airport, hooded and cuffed and taken to a secret detention center for interrogation. Snatched right out of the headlines, isn’t it? Which suggested to me that perhaps I could interest people who don’t usually read fiction but do follow the news.
This train of thought led to the “Disappeared in America” events. In each one, I partner with an attorney and/or a justice-oriented organization to explore the literary and the legal issues brought up by the novel, and the intersection of the two. Usually the event consists of a short reading from ON HURRICANE ISLAND, a response from the attorney and conversation with the audience. So far, event venues include libraries and law schools and churches; sponsoring organizations include the Center for Constitutional Rights and chapters of the National Lawyers Guild and Amnesty International. Upcoming events will be held in Amherst, MA, Springfield, MA and Ft. Lauderdale, FL – and wherever else people are interested in these issues.
I can’t claim that these events sell a lot of books, but I’ve been surprised – amazed, really – at how much I’ve learned. And how rich the conversation can be when it includes different perspectives on story and reality, on imagination and social justice.