Published by Underground Voices, November 2015
Three members of the Thompson family narrate this engaging novel about endings and beginnings and how they fit together. Tot is twelve, sizzling with yearnings, hormones, and an urgent crush on the wrong boy. Her mother Elaine, sewing to support the family after her husband’s desertion, gets a job fabricating a silver spaceman suit for a male stripper who wants more than shiny cloth and quick-release Velcro fastenings. When Dan, the father of Elaine’s missing husband, moves into the house on Stanley Close, newly widowed, penniless, and very fond of his drink, Tot has a male relative to ask about her boy trouble.
Four generations of Thompsons, and Elaine’s sewing business, squeeze into a small council house. In addition to Dan, Elaine and Tot, Elaine’s older daughter Dorothy and her out-of-wedlock toddler son add to the chaos. The details of Goodjohn’s descriptions of crowding and room repurposing are both biting and tender, and the reader roots for the characters.
Tot and her “Dangrad” have always been close and share an affinity for spoonerisms. These linguistic twistings add humor to the prose and provide an oblique way for Tot and Dan to talk about their uncomfortable and difficult-to-discuss issues: his drinking and her growing understanding that her unfortunate romance skipped the “beginning things.” Tot can admit to her grandfather that a boy put his “ningers down my fickers” and she liked it a lot. He answers her questions about how to build a friendship and romance, offering a step by step approach. In return, Dan accepts her interference with “mucking fess” of his drinking problem.
With the pleasure of British slang and a poet’s ear, UK-born Goodjohn weaves the three Thompson voices into a cohesive and tightly paced story. I love the toughness of this book as much as I am grateful for its compassion and tenderness.